SYNTH
PIONEER
PATRICK GLEESON
(updated and revised 12/08)
by Tony Maygarden
|
|
|||
|
|||
|
Gleeson co-produced, composed, and arranged synthesizers for Christmas in San Francisco, a 1974 "live in the city" music event album, recorded by Different Fur, that was part of the Embarcadero Center's Living Arts Program. In 1976 he released his first solo album of synthesized music, Beyond
the Sun - An Electronic Portrait of Holst's "The Planets."
Gleeson played the Eu Polyphonic Synthesizer on this album. In his
liner notes he explains that earlier synths, such as the Moogs and
Arps of the period, were monophonic, i.e. they could only play one
note at a time. The Eu was polyphonic (could play more than one note
at a time) and had a built in microcomputer that allowed the user
to control the synth with "binary language." A beautiful sounding recording, (co-engineered at Different Fur by Neil Schwartz), Beyond the Sun was nominated for a "best engineered recording-classical" Grammy in 1976. |
|||
|
|||
|
|
|||
|
|||
|
Gleeson was involved in many film and TV soundtrack projects. In 1979 he worked on the soundtrack of Apocalypse Now, where he is credited as "Master Synthesist." At least two of his other film soundtracks, The Plague Dogs ('82) and The Bedroom Window ('87) were released on LP. For a more complete list of Gleeson's soundtrack work, check out his page on imdb. Gleeson sold his interest in Different Fur to two employees
in 1985. In 1998, Gleeson released an album with Bennie Maupin, Driving
While Black, and in 2007 a solo album, Slide.
|
|||
|
AFFILIATE DISCLAIMER: The Endless Groove does not endorse
or guarantee any of the products or
services offered by the individual sellers on our affiliate's web site.
Please inspect each seller's feedback rating, grading details, shipping charges
and return policies before placing an order.